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IX, TWV 40:22 'Siciliana', 'Vivace' & 'Allegro' View Georg Philipp Telemann Violin Fantasia No. VII, TWV 40:20 'Dolce', 'Allegro', 'Largo' & 'Presto' View VI, TWV 40:19 'Grave', 'Presto', 'Siciliana' & 'Allegro' View Georg Philipp Telemann (1681-1767) Violin Fantasia No. Sylvius Leopold Weiss (1687-1750) 'Sarabande in d minor' View I've been playing this beautiful and profound Sarabande since the 1960s. He wrote much more, but his manuscripts are very difficult to decipher. Jan Antonín Losy (1650-1721) 'Partita in a minor' View Aria, Capriccio, Sarabande, Gavotte, Gigue This wonderful suite is Losy's most famous work. Anonymous Baroque 'Aria & Bourree I-II' View It's not only Renaissance music that has the power to Console.
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I learned them many years ago, while studying in Vienna. Three Early Baroque Pieces (Anonymous) 'Courante, Aria & Gigue' View These three pieces were originally written for the five course Baroque Guitar. Bach 'Jesu, Joy of Man's Desiring' View Arrangement in A of the complete piece Source: Cello Score, Alfred Dörffel, 1878, Bach-Gesellschaft Edition, Vol. Bach From The 6th Cello Suite, BWV 1012 'Gavottes I & II' in D Major View in C Major View The other movements in this suite work better in D major, but the C major arrangement of this movement might be a good choice for you if you are playing the Gavottes alone and find them difficult to play in D or you just like the sound in C. Bach From The 5th Cello Suite, BWV 1011 'Sarabande', View 'Gavottes I & II' View 'From the 3rd Lute Suite, BWV 995' & 5th Cello Suite, BWV 1011' Source: Lute Score, Alfred Dörffel, 1878, Bach-Gesellschaft Edition Bach From The 4th Cello Suite, BWV 1010 'Prelude' View 'Sarabande' View 'Courante' View Source: Lute Score, Alfred Dörffel, 1878, Bach-Gesellschaft Edition Arranged and fingered in March 21, 2009, Bach's 324th birthday Arranged and fingered, November 8-18, 2014 Source: Original manuscript from Anna Magdalena Bach, Johann Sebastian's second wife. Bach (1685-1750) 3rd Cello Suite, BWV 1009 'Prelude' View 'Sarabande' View 'Bourrees I & II' View 'Gigue' View The Bourrees were published under the name of 'Loure' in some editions in the 19th and early 20th Century, but name 'Bourree' is in all the early manuscripts. Bach 2nd Cello Suite, BWV 1008 'Prelude' View 'Allemande' View 'Courante' View 'Sarabande' View Click here to listen to me playing this on my Video Page 'Minuets I & II' View 'Gigue' View Source: Cello Score, Alfred Dörffel, 1878, Bach-Gesellschaft Edition, Vol. Bach 1st Cello Suite, BWV 1007 'Prelude' View Click here to listen to me playing this on my Video Page 'Allemande' View 'Courante' View 'Sarabande' View 'Minuets I & II' View 'Gigue' View Source: Cello Score, Alfred Dörffel, 1878, Bach-Gesellschaft Edition, Vol. This is the reason his music is still played by so many classical guitarists today.Erik Satie Gymnopédie No.1 View Arranged and fingered, 2022 In these, he managed to blend technical skills and brilliant Romantic music. His most famous works are collected in his 25 Études, Op. It is still valuable, relevant and interesting. 59), first published with Schott in Mainz, in 1836. After a short return to performing in 1836, he quit his concert practice around 1840 and died in Paris in 1853.Ĭarcassi wrote a method for guitar (Op. For several years, he made concert trips from here to the important musical centres of Europe. Afterwards he performed in London, where his reputation now gave him access to more prestigious concert halls. However, in Paris, a long time passed before his talents were truly recognized, partly because of the presence of Ferdinando Carulli.Ĭarcassi was in Germany again during autumn 1824.
#MATTEO CARCASSI TREMOLO SERIES#
In 1823, he performed an extremely successful series of concerts in London that earned him great fame, both as a performing artist and as a teacher. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget.įrom 1820 on, Carcassi spent the majority of his time in Paris. Also a well-known guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. On a concert tour in Germany in 1819, he met his friend Jean-Antoine Meissonnier for the first time. By 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. He moved to Germany in 1810, gaining almost immediate success. He quickly gained a reputation as a virtuoso concert guitarist.
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Carcassi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child.
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